Forkingroom, Seoul, Korea

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포킹룸 Forking Room 포킹 forking은 ‘가지치기 하다‘ 라는 의미를 가집니다. https://www.forkingroom.kr/ 오픈소스 문화에서는 코드나 기술이 여러 개의 버전으로 분기되는 과정을 ’포킹‘이라는 단어로 표현하기도 합니다. ​ 포킹 룸은 이러한 ‘가지치기’가 가지는 공통적이면서도 개별적인 분기를 실행의 모형으로 두고 전시, 워크숍, 강연, 토크 … Continued

Piksel 2019 – Workshop: Mapping smart futures

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  Workshop facilitaors: KAIRUS (Linda Kronman, Andreas Zingerle) Davide Bevilaqua (servus.at)   Workshop abstract: We are interested to continuously explore methods which brings forth new forms of artistic research, especially in context of digitalization, and everyday use of technology in … Continued

Komm.st – Funambuli: Leben als Hochseilakt

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Als Funambuli kannte man Akrobat*innen, die auf einem stark gespannten Seil balancieren, bereits in der Antike. Einen ebenso aufwühlenden Balanceakt inszeniert KOMM.ST im Kunsthaus Weiz mit Positionen junger zeitgenössischer Kunst, die in Installationen, Videos und Performances ver schiedenen Aspekten von … Continued

OPEN SCORES. How to program the Commons

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This exhibition brings together 16 practices through which artists articulate their own forms of (digital) commons. From online archives, to digital tools/infrastructure and educational formats, the projects envision a (post-)digital culture in which notions of collaboration, free access to knowledge, … Continued

New Texture: New Media Art 2019

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with texts by: Pierre Ajavon, Alessandro Avellis, Michael Black, Tom Burtonwood, Tristan Cai, Jade Chorkularb, Lacaste Eunice, Yuto Hasebe, Chih-ya Huang, Soa J. Hwang, Tian Jiang, Lara Kamhi, KairUs Art+Research / Linda Kronman and Andreas Zingerle, Todd Kunkler, Tamara Staser-Meltzer, … Continued